Friday, July 10, 2015

Ebook For Whom the Bell Tolls, by Ernest Hemingway

Ebook For Whom the Bell Tolls, by Ernest Hemingway

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For Whom the Bell Tolls, by Ernest Hemingway

For Whom the Bell Tolls, by Ernest Hemingway


For Whom the Bell Tolls, by Ernest Hemingway


Ebook For Whom the Bell Tolls, by Ernest Hemingway

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For Whom the Bell Tolls, by Ernest Hemingway

Amazon.com Review

For Whom the Bell Tolls begins and ends in a pine-scented forest, somewhere in Spain. The year is 1937 and the Spanish Civil War is in full swing. Robert Jordan, a demolitions expert attached to the International Brigades, lies "flat on the brown, pine-needled floor of the forest, his chin on his folded arms, and high overhead the wind blew in the tops of the pine trees." The sylvan setting, however, is at sharp odds with the reason Jordan is there: he has come to blow up a bridge on behalf of the antifascist guerrilla forces. He hopes he'll be able to rely on their local leader, Pablo, to help carry out the mission, but upon meeting him, Jordan has his doubts: "I don't like that sadness, he thought. That sadness is bad. That's the sadness they get before they quit or before they betray. That is the sadness that comes before the sell-out." For Pablo, it seems, has had enough of the war. He has amassed for himself a small herd of horses and wants only to stay quietly in the hills and attract as little attention as possible. Jordan's arrival--and his mission--have seriously alarmed him. "I am tired of being hunted. Here we are all right. Now if you blow a bridge here, we will be hunted. If they know we are here and hunt for us with planes, they will find us. If they send Moors to hunt us out, they will find us and we must go. I am tired of all this. You hear?" He turned to Robert Jordan. "What right have you, a foreigner, to come to me and tell me what I must do?" In one short chapter Hemingway lays out the blueprint for what is to come: Jordan's sense of duty versus Pablo's dangerous self-interest and weariness with the war. Complicating matters even more are two members of the guerrilla leader's small band: his "woman" Pilar, and Maria, a young woman whom Pablo rescued from a Republican prison train. Unlike her man, Pilar is still fiercely devoted to the cause and as Pablo's loyalty wanes, she becomes the moral center of the group. Soon Jordan finds himself caught between the two, even as his own resolve is tested by his growing feelings for Maria. For Whom the Bell Tolls combines two of the author's recurring obsessions: war and personal honor. The pivotal battle scene involving El Sordo's last stand is a showcase for Hemingway's narrative powers, but the quieter, ongoing conflict within Robert Jordan as he struggles to fulfill his mission perhaps at the cost of his own life is a testament to his creator's psychological acuity. By turns brutal and compassionate, it is arguably Hemingway's most mature work and one of the best war novels of the 20th century. --Alix Wilber

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Review

"It’s my favorite novel of all time. It instructed me to see the world as it is, with all its corruption and cruelty, and believe it’s worth fighting for anyway, even dying for." (John McCain)"A tremendous piece of work." (The New York Times)“For Whom the Bell Tolls is 1) a great Hemingway love story; 2) a tense story of adventure in war; 3) a grave and sombre tragedy of Spanish peasants fighting for their lives.” (Time)

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Product details

Paperback: 480 pages

Publisher: Scribner (July 1, 1995)

Language: English

ISBN-10: 0684803356

ISBN-13: 978-0684803357

Product Dimensions:

5.2 x 1.1 x 8 inches

Shipping Weight: 12.8 ounces (View shipping rates and policies)

Average Customer Review:

4.0 out of 5 stars

1,057 customer reviews

Amazon Best Sellers Rank:

#4,648 in Books (See Top 100 in Books)

I am talking about kindle version. this book is full of typos. I told amazon to revise this book but it is still same.Do not buy this book, it is worthless. Prabhat prakashan and amazon are kidding us.

Just a quick note: I recently reread this when I was reminded of the complexities of the Spanish Civil War by a magazine article. The book did what I dimly remembered it did: it showed the local, human dimension of the war rather than the history book battle of ideologies we usually see. What I hadn’t remmbered was the subtlety and complexity of the love story. I’ve always thought Hemingway’s ability to present love has been underrated by many people who prefer to focus on the unwillingness of many of his characters to talk about their feelings. It’s true, his characters generally don’t have much to say on the subject, and even their inner monologues tend to be sparse, but Hemingway still manages to express his characters’ deep, vital and nuanced feelings. I think the lack of verbiage is part a reflection of the view expressed by many of his characters that it doesn’t do to talk about significant things too much and part the simple fact that the characters themselves don’t understand what they’re feeling.Hemingway was a fabulous writer, and much of his work, though clearly rooted in his time period, still stands up to scrutiny today.

The kindle edition I read was a "knock-off" Hemingway. The text was weird and not lined up. When there was an obvious expletive in the dialogue, it actually was deleted and the word "obscenity" was placed.

The Kindle version of “For Whom the Bell Tolls” is not very good. I don’t know if that is because it is an abridged version like other reviewers claim or whether it’s just not a good story. If the Kindle version is indeed abridged, I would have expected Amazon.com to alert buyers that it was so. Basically, “For Whom the Bell Tolls” is the story of a critical mission by a band of rebels accompanied by an American sympathizer fighting for the Republic against the Fascists in Spain during the Spanish Civil War (1936-1939). The rebels’ mission was to blow up a bridge, but the interplay among the characters leading up to the attack dominate the story.

Having begun to "read into" Hemingway a bit, one begins to realise that everything about his style, including the lack of correct grammar, (as well as being the first writer to use the contracted form in literature, as everybody knows), has to do with conveying the feeling and the atmosphere of the places he is writing about, The more you read him, the more you read him, kind of thing. Hemingway's ability to create emotion and atmosphere that "takes you there", where the action is, is surprising, to say the least. Another: "can't put it down".book.A good read! For those who don't already know Hemingway.

Be careful what you purchase. This edition is abridged and disgraceful. Papa would not be proud.

I read in amazement, knowing of Hemingway 's fame I still felt surprise at his writing ability. When I read his Paris book he would return to his wife after a long day of writing by longhand. I now understand how difficult that must have been: to constantly be thinking of and feeling the tiny details while laboriously writing each word.This story of the Spanish civil war comes to the reader with such descriptive details that one can feel the dirt on their clothes and under the fingernails, and the cold dew of the morning. After all it is the details which causes a book to be readable and believable.

No man is an Iland, intire of it selfe; every manis a peece of the Continent, a part of the maine; if aClod bee washed away by the Sea, Europe is the lesse,as well as if a Promontorie were, as well as if a Mannorof thy friends or of thine owne were; any mans deathdiminishes me, because I am involved in Mankinde; Andtherefore never send to know for whom the bell tolls;It tolls for thee. JOHN DONNEIf you haven't noticed, I read a lot of Hemingway. The reason for this is that I enjoy (even more) a textbook about him that was written by a Princeton Professor, Carlos Baker. He understands Hemingway and shares that knowledge in a way that shows the artfulness of the writer. He diagrams the novels in the same way that my grade school teachers taught me to diagram sentences (noun, verb, adverb and subject, object of the preposition, adjectives and compound sentences, etc.). Using this textbook I am learning how a writer approaches a novel (as an artist would); hence the title, "HEMINGWAY, the writer as artist". It is one of my favorite books and has been for more than ten years.For Whom the Bell Tolls (FWBT) was published in 1940, but the notes for it were taken during '37, '38 '39. It speaks of the loyalist fighting against fascism in Spain. His detractors called Hemingway a 'Stalinist' or a 'Fascist' at the extremes, but he was neither. He was simply anti-fascist. He thought that fascism killed art and literature. It was just that easy for him to pick a side.His novel is broad in scope and speaks garishly of the cruel killings by both sides.He goes into great detail of an incident in which the 'loyalists' torture and kill local fascist shop owners, blowhards, idiots, city officials and priests in a way that is foreign to any experience of my sheltered life. Hemingway shocks the reader by writing the details of killing in a way that reminds us of a bull fight, or the running of the bulls at Pamplona. This chapter is hard to read. It is so cruel. I can only image what it was like with his expletives at full volume. Artistically it compares with Picasso's 'Guernica' which reminds the world of the insane bombing of that Spanish market town by NAZI fascists. (with loss of life estimated at 1,650)

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